Juicy

In the 1990’s, Chirstopher Wallace, known as The Notorious B.I.G or simply Biggie Smalls, was the definition of rap and street Hip Hop to East Coast audiences. Growing up in a single parent house in the middle of Bed-Stuy only to become one of the biggest names in the Rap industry, Biggie became an incredible source of hope for the working class as well as the black community as whole throughout New York City. And so, as a way to keep that hope and inspiration going, in 1994, Biggie released “Juicy”: a song detailing the events and motivation he had in his life that made him keep moving forward. The way in which Biggie Smalls writes his lyrics with such an inviting, understandable flow as well as creates a music video that so aptly portrays the moments he discusses in his life is the reason why I believe this to be one of the best songs and music videos made in the 1990’s. And so, without further a do, here is Notorious B.I.G’s Juicy

Looking at the first 30 seconds of the music video (which is predominantly the dedication of the rap), we as an audience can already see the three main facets of Biggie’s life that he is going to present: his early childhood as a crack dealer living with his mom, his life in prison, and his life now as a rapper. Biggie also perfectly syncs the aspects of his dedication with the actual subjects (i.e during the lyric “To all the people that lived above the buildings that I was hustlin’ in front of called the police on me when I was just tryin’ to make some money to feed my daughter” Biggie is being shown being arrested in an undercover drug bust and the following lyric “And to all my peoples in the struggle” he moves to a shot of a corner in Bed Stuy where a huge crowd of people are standing expressionless). Biggie then moves into the first verse:

It was all a dream, I used to read Word Up! magazine

Salt-n-Pepa and Heavy D up in the limousine

Hangin’ pictures on my wall

Every Saturday Rap Attack, Mr. Magic, Marley Marl

I let my tape rock ’til my tape popped

Smokin’ weed in Bambu, sippin’ on Private Stock

Way back, when I had the red and black lumberjack

With the hat to match

In this stanza, Biggie heavily relates to the young audience members listening to his music. Here he is as prolific rap idol having a childhood very similar to any other kid growing up in the 80’s. With this passage, Biggie can be seen in a prison cell (as he was for 8 months when he was 18) hanging cut pictures of people he got out of Word Up! Magazine; an activity which most normal people did in their childhood (minus the prison part!). With instances of drinking cheap malt liquor, shooting dice in the streets, and eating sardines from the can appearing in his lyrics and music video, Biggie is ultimately stating that he was just like everyone else growing up in Brooklyn in that he didn’t have any luxuries.

The chorus then directly addresses the audience with a message of determination and hope. It states that kids shouldn’t let anything “hold them back” and should “reach for the stars.” This is the moment in the music video where Biggie presents the payoff of reaching for the stars. He is seen at a beautiful house with a full pool and pool house partying with a huge amount of people having fun. Albeit a great well written chorus, this is actually one of my favorite Easter eggs in the song. The melody of this hook, as well as the beat, and backtrack are all sampled from the same song “Juicy Fruit” by Mtume, which is why the song is called “Juicy.”

As far as the rest of the verses, Biggie explains that while it may be hard to picture a living a lush life without being deep in low level crimes, it is certainly possible as long as you keep trying and flip from negative to positive thinking. He shows this lush life through the maids he has bringing him and his friends champagne as well as owning his own Sega Genesis (which Michael Che believes he very well could have afforded one even before he was a rapper). In short, Biggie Small’s “Juicy” promises a better future to people who are true to themselves and take advantage of the world around them.

As it seems, a lot of people have taken a liking to this message and Biggie Smalls has in recent times become somewhat of a pop culture icon. Reading through the comments of this official music video, I saw how much Biggie’s style and words meant to his listeners. One listener named Ricardo Zúñiga commented, “This song inspires me so much to push myself and make it big. It’s my anthem. I’m as broke as could be, but I’m putting myself through college… I’m fortunate to be able to live at my mom’s, but unfortunately, she can’t help much beyond that, since she works as a janitor earning minimum wage. And my father is equally as broke. But this song motivates me to keep pushing. I know I got what it takes to pull my family out of this poverty.” In my mind, the meaning of this song completely got through to this person, who is trying to live life to the fullest and achieve his goals. The majority of the other comments, like that of Charcoal Head, talked much more about his flow. They write, “This guy was a lyrical genius! His flows were smoother than water, and the beats Biggie sang over were raw.” Biggie was known as the king of flow with a style that couldn’t be matched by any other rapper at the time. Finally, an incredible number of commenters talked about the ways in which you could compare Biggie to rappers of today. This was usually to display that idea that 21stcentury rappers are much more fragile than older rap artists. For instance, Shady wrote comically, “Biggie and Tupac had beef because Tupac thought Biggie got him shot. Drake and Meek Mill are beefing because one tweeted about the other.” Although this comment was probably out of jest, it is a firmly held belief that modern day rappers like 6ix9ine and Drake don’t live up to the same intensity and strength as 90’s rappers like Tupac or Biggie. These were profound artists and, especially in Biggie’s case, constantly searched for progress in the people around them.

21 Savage’s Deportation Being Discussed with New Released Track ‘A Lot’

21 Savage’s music video ‘A Lot’ sparked immense attention from the public with excellency of music & lyrics & video altogether, but also his arrestment on immigration status. His Album I Am > I Was, was in the top chart for two consecutive weeks after its releases, earning him Grammy Award nomination, with over 3.3 billion on-demand streams in the US. In his ‘A Lot’ music video, visual is unfolded as if telling a story and it dramatically augments the meaning of lyrics. In his track ‘A Lot’, he raps about brings his personal life story to the music – about his friend who was shot during a drug dealing, reality that money ineffective in solving personal plights, gang violence, trauma, and his fear. Rap is a sublimation of a speech/thoughts/novel transformed into an art form that often becomes a mirror of an individual’s personal stories. However, it sometimes becomes an issue where the boundaries to be set up that reveals how much of personal stories one opens up with the world. It is the question of how comfortably enough a person could open oneself that does not detriment their public images. 21 Savage spoked,

“People will be going through a lot of stuff, but you’ll never know what they’re hiding behind their smiles. Like, nobody would ever know that I wasn’t born here.”

The immigration issue has been one of the hottest topics in the US with the presidency of Donald Trump. It is a predicament to many people who don’t get publicly mentioned nor being much cared from society.

21 Savage was arrested on Super Bowl Sunday in Atlanta by US Immigration and Customs Enforcement (ICE) ironically less than a week after performing his track “A Lot” at The Tonight Show Starring Jimmy Fallon.

https://youtu.be/opKizJadkzA

He performed with substituted lyrics where he shows compassion for immigrants and people who struggle to immigrate to the US. “Been through some things so I can’t imagine my kids stuck at the border / Flint still need water / People was innocent, couldn’t get lawyers,” (January 28). According to ICE, 21 Savage is originally from the UK and has been illegally staying in the US with his expired visa. Bryan Cox, the ICE spokesperson, iterated that the arrest was on a “targeted operation with federal and local law enforcement”. 21 Savage’s legal team stated that he was originally born in the UK, however, legally arrived in the US at the age of 7 (in 1999). He has been ongoingly present in the US for almost 20 years, but visited the UK in 2005 due to his uncle’s death, and returned to the US with H-4 Visa. H-4 Visa is “granted to spouses or children under the age of 21”. The visa was expired a year later it was granted in 2006. In 2017, he applied for a U visa, which is “a visa for victims of certain crimes” and his status is still under review. He has been acclaiming that he is from Georgia, Atlanta, and 3 of his children are all lawful US citizens.

All of these Youtube comments are mentioning about his visa status and his revealed UK citizenships:

21 Savage’s lawyer appeared on Good Morning America on February 15th, publicly acclaiming that he was targeted because of his music, fame, and ICE allegedly manipulating the incident to convey the message to non-US citizens. He spent nine days behind bars and was released on February 13th, with a granted bond. According to the most recent news, his hearings on deportation that was scheduled on April 9th has been postponed to no specific dates to come. He has expressed his fear of deportation – “The worst thing was sitting in there not knowing what was going to happen, or when it’s going to happen. Whenever I went to jail before, it was, ‘You’re being charged with this and going to court on this date.’ But immigration ain’t like that. You’re just being held.” Additionally, a fear of losing the home that he identifies with –

“the possibility of me not being able to live in this country no more than I’ve been living in my whole life.”

When an artist publicly brings their voices up, they automatically become the target of governments, organizations, and people. However, they sometimes bring hope to the other groups of people. The big voices become an incentive to one individual, bringing the confidence to fight back to the unjust, biased, prejudiced world of overflowing problems. Artists’ lives depended on what they put on to the markets is daunting and frightening. However, intrepid voices are also the ones that constantly transform our society to be a better place for us all.

‘A Lot’ by 21 Savage – Official Music Video

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Same Love

“Hey Macklemore, can we go thrift shopping?”

“What? What? What? What?”

The infamous song “Thrift Shop” is sung by 35-year-old rapper Macklemore, who rose to fame with his collaboration with Ryan Lewis in their debut album, The Heist. With more than 6 million downloads with “Thrift Shop” and rising to No. 1 on the Hot 100 Chart with “Can’t Hold Us,” they became the first duo in music history to have first two singles reach the top of the pop charts. With their successes at a high, they went on to receive four Grammy’s in 2014.

“Same Love” was song that was inspired by a news article in 2012 about a teenager who committed suicide after being bullied. After reading about it, Macklemore wrote this song to embrace and promote gay marriage, which many raps song did not. Macklemore expressed how he believed the epithets routinely heard in rap music were partly to blame, and that denying gay adults the right to be married contributed to negative effects on gay teenagers. He “just wanted to hold myself accountable and hold hip-hop accountable and bring up an issue that was being pushed under the rug.

The song quickly made it all the way to the Top 40 and No. 5 on the Rap Songs Chart. The timing of everything was impeccable, as it hit the charts in February, when the Supreme Court was considering challenges to the federal Defense of Marriage Act and to California’s ban on same-sex marriage.

The lyrics of “Same Love” accuse rappers for constantly using “gay slurs” and abusive language. When we hear rap music today, it mainly consists of having a “sick beat” with rhythmic speech over the music. Although it is very groovy and fun to jam to, what most people don’t realize is how often abusive language is used. It seems that rappers will throw around profanity and offensive language like it’s no big deal. But, just because we hear it all the time doesn’t mean it’s okay, right? That’s the point that Macklemore is trying to express in his lyrics:

If I was gay I would think hip-hop hates me
Have you read the Youtube comments lately
“Man that’s gay” Gets dropped on the daily
We’ve become so numb to what we’re sayin’
Our culture founded from oppression
Yeah, we don’t have acceptance for ’em
Call each other faggots behind the keys of a message board
A word routed in hate, yet our genre still ignores it
Gay is synonymous with the lesser
It’s the same hate that’s caused wars from religion
Gender to skin color the complexion of your pigment

https://www.wordsinthebucket.com/same-love
Mary Lambert, featured in Same Love

Many artists turned down the opportunity to sing this song with Macklemore. With such a controversial topic, no one really wanted to be associated with it. After all, stars and celebrities lose fans all the time when they express an unpopular or polarizing opinion.

They soon found singer Mary Lambert, who agreed to sing alongside. Lambert described singing the song as a “divine moment,” as she had had a very difficult childhood coming out as gay in church.

The Same Love music video depicts the journey of a gay man’s life; from battling a difficult childhood of staying in the closet, to his well-deserved wedding day, and to the inevitable end.

Same Love, music video

Macklemore originally wanted the video to be seen through the perspective of a gay, bullied child; however, he believed that he couldn’t do it because it wasn’t his story to tell. However, he was able to turn a nostalgic piano ballad into a powerful message about marriage equality.

This sparked controversy as this song focused on same-sex marriage, but was written by a white, straight man. In the rap community, there are fewer white rappers that achieve success. Since its roots stem from African-American communities, “the American public has long associated [it] with a particular demographic.” With that being said, Macklemore clearly does not “fit in” with the stereotypical image of rap. During the 2014 Grammy’s, he performed the song with Madonna, as a score of couples (both straight and gay) were married onstage. Macklemore and Ryan Lewis certainly took a risk that night as a duo, as it showed the audience and everyone around the world that they were using their new-found fame to push a progressive message. He once said, “You’re gonna piss people off, but all these moments add up to an understanding and, hopefully, change.