Beyoncé’s “XO” : A Multisensory Music Video

Beyoncé’s song “XO” is track number 10 on her 2013 self-titled album, “Beyoncé”. Beyoncé labeled this album her “visual album” , as every song also has a music video. “XO” quickly gained popularity after its release. The majority of fans loved the song, however others had a negative reaction.

The song begins with the voice of a NASA Public Affairs Officer moments after the space shuttle Challenger exploded in 1986. Some of Beyoncé’s fans deemed using this recording insensitive, especially those who had lost loved ones in the disaster. Beyoncé responded to this saying “The song ‘XO’ was recorded with the sincerest intention to help heal those who have lost loved ones and to remind us that unexpected things happen, so love and appreciate every minute you have with those who mean the most to you”.

The music video, set in Coney Island (Brooklyn, NYC), illustrates what Beyoncé intended with the message of this song. I will break up my analysis into a few pieces: text painting, camera footage, and the effect of the music within the pace of the video’s visual story.

The music video begins with flashing colorful lights, and the first lyrics we hear Beyoncé sing are “Your love is bright as ever/ Even in the Shadows”. Immediately viewers see the contrast of light and dark. There is a sense of temporality both in the video and the lyrics, as we start seeing different scenes of Beyoncé singing individually, Beyoncé with friends in the amusement park and arcade, and random people having fun in the park. The lyrics “We don’t have forever/ Baby daylight’s wasting” Is shown with some scenes of the video being filmed in daylight, and some at night. When Beyoncé sings, “In the darkest night hour/ I searched through the crowd, Beyoncé is surrounded by people. Sun sets in the video with the lyrics “We don’t have forever”. I could go on and on, but basically this video does a great job visually representing the literal meanings behind the lyrics. This makes the song not only more digestible, but it becomes an experience of multiple senses.

The camera shots in this video are also very effective in creating a powerful musical experience. We see the juxtaposition of more intimate and close up angles of Beyoncé alongside moving and sometimes out of focus shots of people in the park. The clip of Beyoncé and her friends on the roller coaster is also an interesting camera shot because we can almost experience the ride as if we were Beyoncé. The camera is also very focused on people smiling and loving each other, which again makes the experience more intimate both visually and musically.

 

The music and the video come together harmoniously. Scenes are pieces in rhythm to the music, and because most of the clips are moving, the video compliments how upbeat the song is. Beyoncé and her friends also make a dance move out of “XO” with their hands that goes along with the music.

Overall this music video is very stimulating and makes listening to the song that much more meaningful. As I scrolled through the comments, I found three that sum up the general reaction to this music video.

These comments about being able to “feel” the music and the song taking them back to a certain place or atmospheric feeling are definitely influenced by the powerful experience of the video! Anyone who has been to an amusement park, have been out with friends late at night, or have even just had a great time with loved ones at any time can relate to this song and video, which is why it is such a powerful piece of art.

I hope watching this video inspires you to go check out some of Beyoncé’s other awesome music videos. Here are three that I was considering for this blog post and are just as cool and a testament to how music can be a multisensory experience with image, sound, and screen!

“Love on Top”

“Pretty Hurts”

“Halo”

 

 

Beyonce & Stage Design

Beyonce is known to be one of the quintessential performers of our time. The Queen Bee has set an incredibly high standard for herself with her recordings, performances, and music videos. I would like to take a brief look at how Beyonce maintains continuity with her audience through live performance and her music videos, and also analyze the use of stage design in performance practices as well.

The song we will be looking at is arguably her most famous, “Crazy in Love,” featuring Jay-Z.

This music video has all the tropes of early 2000s stardom. It received 11 awards including the Grammy for Best RnB song. It incorporates all kinds of sex appeal but two that I would like us to pay special attention to: the strut and the group dance. These two characteristics are staples of Beyonce as an icon and should be expected to be seen by an audience member attending her show.

Now I’d like for us to look at a video of a live performance of this same tune.

https://www.youtube.com/watch?v=Q5TyTPMaf1Q

I’d like to walk through this performance as it relates to stage design and audience’s expectations. For my criteria for judging stage design, I would like to use Es Devlin’s discussion of the topic from Abstract: The Art of Design; Stage Design. In this series she discusses the five basic principles of stage design; light, darkness, space, time, and scale. Beyonce uses these as well as other performance aspects with the music to continually keep her audience enticed and engaged through out the whole performance. It is as if the whole song is one big build up and the energy is carefully cultivated through out to give the viewer an iconic and memorable performance.

Let’s start at the beginning of the video. Beyonce is introduced while the audience waits in anticipation. You can only imagine that since purchasing the ticket they have been fantasizing of what this moment will be like and now it is finally here. Beyonce clearly knows this and builds on this excitement from the very beginning. The stage goes from being completely black to illuminating a white triangle, which often symbolizes power and stability. Right in the center of the triangle, much higher than the actual stage stands the silhouette of Beyonce. The music is ambient and atmospheric. Beyonce is heard singing upon fifths but not seen. The audience is dying to see her, and yet they can only hear her. Her fifths are ornamented with an eastern sounding scale, which gives the silhouetted Beyonce an air of mystery. The drums strike and the lyrics to “Crazy in Love” are heard but it is slower and with a lament bass instead of the original bass line. Her silhouette is now projected on large screens. In terms of scale, she is first scene in front of the giant triangle which is much higher than the audience, giving her this larger than life appearance. As she finishes singing and comes down from being much higher up than the audience the band accelerates the time, thus increasing the excitement to the build up of finally seeing Beyonce in the flesh. Finally, write before the song starts, the band drops out to hear just the voices. As they finish the band comes in even louder, which creates an even more dramatic effect, and while this is going on there is a dramatic shift from darkness to lights, with full fireworks and light show. Beyonce simply has to stand triumphantly at this point. Her persona as an other worldly phenomenon has been established long before this moment by all the elements of stage design used to her advantage, and now in this moment simple standing brings the audience to an immense roar. The darkness at the beginning gave mystery, the scale gave power, and the light gave the big reveal.

Before continuing I’d like to bring to light the fact that the entire band is made up of black women wearing all white. The white being seen before in the enormous triangle that first illuminated the stage and generally represents power and stability. As the song opens Beyonce stands firmly and hypes up the audience, without moving her feet at all. Can you imagine the energy she must be feeling and the self control to not move your feet at all during this opening scene? Shortly before the first verse, she turns and struts away from the audience and this is enough to get another enormous response from the audience. Simply her strut is enough to make them bust out in pandemonium at this point, but that will not sustain them again, she will have to continually up the anti if she is to win over the audience, and she does just that. As she sings the first verse there is a point of rest as she has your full attention and delivers the verse again with out moving her feet at all. As the first verse finishes she simply walks again, this time towards the audience, to another round of applause. Before the second verse she does a little dance, in a group. Which is oddly enough, exactly the same time that dance is seen in the music video. The live performance at this moment is coordinated exactly with the music video to create a seamless experience for the audience.

After the second verse we come to a point in the show that simply can not be like the recording, the rap verse. As we saw in the video earlier, Jay-Z is present in support of Beyonce, but does not come out to rap his verse. Instead there is an instrumental break, in which Beyonce hypes up her horn players to play some lines. These lines are again clearly choreographed, but to the audience, this is all an organic experience, or maybe it isn’t, it actually doesn’t matter, because they are seeing Beyonce and everything she does at this moment is sublime. This is because the audience is experiencing the show emotionally rather than logically. The instrumental break also is something fresh that distinguishes her live performance from her recordings thus creating a unique experience that could only have been experienced live.

At the end of the song she seals the whole performance by showing the breadth of her vocal range and more importantly doing a full group dance. From start to finish we’ve had one momentous build. From utter darkness and mystery, to seeing the star, to seeing her strut, to finally seeing her sing the highest highs and dance her signature group dances. This is a textbook performance and it simply could not be accomplished on this scale without the immense work in stage design, choreography, arranging, and so on. This experience was so carefully crafted by master technicians all working to establish Beyonce is this pop goddess radiating female empowerment and inspiration wherever she goes. The truly cultivate an experience that makes her seem super human and solidifies her as a pop icon for the ages.  

Sources: Beyonce Crazy in Love video. First video

Beyonce Glastonbury performance. Second video.

Beyonce awards search.

https://genius.com/Beyonce-crazy-in-love-lyrics

Netflix Abstract the Art of Design.